The Torlonia Marbles – in Pictures (Part 1)

1 Seated Philosopher
This sculpture of a seated philosopher formally belonged to the Cesarini collection and is known as the Cesarini Chrysippus (Greek marble: 1st Century CE).
2 Apollo
Apollo holding the skin of the satyr Marsyas after having skinned him alive. One of the more popular versions of the story relates how Marsyas had challenged the god to a musical contest that was to be judged by the Muses. The winner would have had the right to do as he pleased with the loser and when Apollo won (in some versions via a ruse) he chose to flay Marsyas for having dared challenge a god. The statue from the Giustiniani collection may have been very different in its original form and was restored extensively and with much imagination. (1st century CE)
3 Marsyas
Marsyas after having been flayed by Apollo. His flute is visible on the ground (Apollo played his lyre during the contest), while his features portray a certain rawness. This too was extensively restored according to the imagination of the restorer as the original consisted mostly of a bare torso. (1st-2nd century CE with 16th century additions).
5 Sarcophagus
Sarcophagus with the labours of Hercules (Asian marble: c. 170 CE)
6 Warrior
Another extensively restored sculpture from the Giustiniani collection. The warrior was reconstructed from “the pelvis with the right leg up to the knee and the joint of the left leg…” (2nd century CE).
7 Three Figue Relief
Relief with Hercules, Theseus and Pirithous: a 1st century BCE copy of a 5th century original.
8 Satyr
Satyr: a 1st century CE copy of a 2nd century BCE type called “Invitation to Dance”. 
9 Drunken Satyr
Drunken Satyr: copy of the Herculaneum Type from the Giustiniani collection (1st century CE).
10 Torlonia Vase Detail
Torlonia Vase: detail of Bacchic Symposium (Pentelic marble: late 2nd -early 1st century BCE)

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